by Treehouse Editors
compiled by Rachel Bondurant
First things first: On behalf of the staff here at Treehouse, I want to thank everyone who helped out with last week’s Jesus’ Son Retrospective. We are oh-so-lucky to have had fabulous contributors, plentiful readers, and supportive friends and fans who helped spread the word. We appreciate you guys!
Interview of the Week
The Review Review interviewed Mary Akers, editor of online literary journal r.kv.r.y. Akers inherited the journal from its founding editor via Facebook and, like the Treehouse crew, she and her staff are all volunteers (and writers). The journal follows a theme of recovery, but they try to keep to recovery stories that are less personal catharsis and more saying “something about the human condition.” As far as themes go, recovery seems to be one with no shortage of subscribers. “I think that if you’re alive,” Akers says, “you’re recovering from something, and if you haven’t been at the bottom of some awful place, you will be.” It’s a dark way of looking at things, but it’s far from inaccurate.
Lit Mags that Aren’t Us
In my endless quest for Twitter followings, I came across three lit mags I didn’t know existed. The first is called Matchbook and it features “stories quite short plus critical thoughts.” Less succinctly put, Matchbook publishes flash fiction and “indeterminate prose” of 1,000 words or less. They’ll publish longer pieces but only if said pieces are “exceptional.” This doesn’t sound far from what we do at Treehouse, but Matchbook adds critical discussions to their published works. If they like your work and decide to publish it, they’ll ask you to submit a critical thought to accompany your writing. Currently, they’re running a piece called “Orphan Shop” by Terese Svoboda.
The other two magazines I stumbled upon come to us from across the pond – Fleeting and 3:AM Magazine. Fleeting publishes fiction, poetry, and interviews. They like “daring, lucid, erudite, amusing, and infectious writing.” The interviews are one-of-a-kind, with questions like, “Are boys meaner than girls, or vice versa?” and “Why won’t the aliens step forth to help us?” What I love most about this magazine is The Clinic – you can submit your work to this “literary consultancy” run by the magazine, to get notes and criticisms about your piece. It isn’t free, but good feedback rarely is. 3:AM is something wholly different. In fact, I’m not entirely sure what it is. They don’t have an “about” page and I am pitifully lost without one (my own blog doesn’t have an “about” page, and I still have no idea what goes on over there). Fortunately, the published pieces throughout the site manage to speak for themselves. And from their submission guidelines, I know they accept poetry, fiction, non-fiction and reviews. As for what they stand for, what they do, or who they are, 3:AM says it best themselves: “Whatever it is, we’re against it.”
The Coffin Factory – one of the coolest-named lit mags on the block – is having a Very Short Story Contest with a submission deadline of August 15. It’s a $10 entry and first prize wins $200 and publication in their fourth issue, with second and third place earning publication in their O-Bits Blog (ha!) and a free copy of the magazine.
Burnside Review is having a Poetry Chapbook Competition ending June 30, with the winner being announced September 1, 2012. The winner will receive $200 and 10 copies of the chapbook.
Glimmer Train is having a Fiction Open ending June 30. It’s $19 to enter, but the grand prize is a whopping $2500, publication in Glimmer Train Stories and 20 copies of the issue. Second prize is $1000 and third is $600. Stories of all themes are accepted, with word counts between 2,000 and 20,000. Results are announced August 31.